The movie introduces us to the three major characters – Peter (James Cosmo, who manages to acquit himself higher than most overseas actors in Indian movies), a ruthless gangster in London; Sivadoss (Joju George, a strong presence), Peter’s rival; and Suruli (Dhanush), a small-time gangster in Madurai. The xenophobic Peter, who’s attempting to get a controversial immigration regulation handed together with his muscle energy, decides to rent Suruli, who’s at all times open for some fast bucks, to tackle Sivadoss, whose secretive – and profitable – operation is dealt with by his crew of immigrants. Whilst Suruli begins making his transfer in opposition to Sivadoss, however begins questioning the ethics of his acts when Atlia (Aishwarya Lekshmi, attempting her finest in a job that gives her little scope), the Sri Lankan Tamil lady whom he has fallen for, tells him what Sivadoss really means to the immigrant neighborhood.
The preliminary parts of Jagame Thandhiram, exhibiting the quick-witted Suruli utilizing his streetsmart methods to trace down Sivadoss, are the movie’s most fascinating bits. The quirky tone makes these scenes fascinating. And Dhanush has a ball taking part in a Maari-like gangster with a devil-may-care perspective. The popular culture references, like Suruli and Vicky (Sharath Ravi), the London-based software program worker, who acts because the translator between the gangsters, debating about Delhi Ganesh’s character in Nayakan, the numerous nods to Rajinikanth and his movies (a signature of this filmmaker), and the yesteryear songs, are fairly amusing.
Karthik Subbaraj establishes the smiliarities between Peter and Suruli fairly successfully. When they’re launched, we see them killing somebody, however greater than the killing, they appear to be getting their pleasure within the wise-cracking, complaining about their garments getting ruined by the blood. Like Peter, who would not need immigrants taking up his nation, Suruli would not need a ‘Saettu’ operating a jewelry store in ‘his’ land. So, we all know that Suruli will see the error of his methods in some unspecified time in the future, however it’s in exhibiting us the how that the director disappoints.
One cause for that is that Sivadoss is not a fleshed out character. We see him from Suruli’s perspective throughout the first half and later, when Atlia exhibits him what the gangster really stood for, we’re alleged to respect him. However the character is written in broad strokes that he would not come throughout as somebody distinctive. The remainder of the characters, together with Atila, are strictly useful. Actors like Kaliyarasan, Sanchana Natarajan and Vadivukkarasi are just about wasted in minor roles.
Within the second half, the tone modifications and it seems like we’ve got been dropped in a distinct universe. We even get a Shankar-style flashback! Karthik Subbaraj makes use of the battle of Eelam Tamils so as to add depth, however by some means, the try would not make the scenes transferring. We get many strains that speak about immigrants and their plight, what displacement does to folks, how richer nations just like the US and the UK have a trigger to maintain wars going within the smaller nations, and the way they model those that oppose their ideology as terrorists. However they really feel misplaced in a movie that repeatedly chooses coolth over gravitas.